![]() ![]() Well, I love all of the posters I have designed, but one that stood out the most is Harry Potter, because it had been listed as one of the most successful cinematic franchises of all time, and I’m very proud that my posters had been chosen every year since I started working on these films, from Harry Potter and the Half-Blood Prince (2009), Harry Potter and the Deathly Hallows – Part 1 (2010) and the final Harry Potter and the Deathly Hallows – Part 2 (2011).Īlso a few other films that I’m honored to innovate and incorporate the design accordingly with marketing strategy include Ad Astra, Ocean’s 8, Blade Runner 2049, Justice League, Batman v Superman: Dawn of Justice, The Man from U.N.C.L.E. ![]() Tell us about other posters you’ve been particularly proud of and why? The simple powerful impact image emphasized expression over advertising. From the expression of the character to creative editing techniques, I conveyed the ideal message by showing Joker, who eyes still express Arthur Fleck – the man who’s trapped between the lack of emotion and the brutality of his smile at the same time. My method of making a movie poster is how to distill a movie down to its core essence to represent it in one key art image.įor Joker, I was inspired by a camera test of Joaquin Phoenix as the Joker, teased by the Director Todd Phillips with full-on makeup and set to the song Laughing from The Guess Who. The senior art director at Works Advertising in Los Angeles, 35-year-old Mark talked to Coconuts Bangkok about designing film posters for Joker and other well-known films such as neo-noir, sci-fi sequel Blade Runner 2049, Christopher Nolan’s World War II thriller Dunkirk and even the recent Brad Pitt-turned-space monkey Ad Astra. ![]()
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